Tag Archives: Waders
Photo of the day: Ringed Plover reflected
The weather, as you may be able to tell, was grey and overcast – not usually the best for photography. However, it does provide very soft lighting and that helps avoid the hard shadows you may otherwise find on the subject. It’s also given the water a very clean, smooth look with only the two stones to break it up and provide a little extra interest.
Animal tip: When shooting animals (and people for that matter) try and get to their eye level, it will enhance your pictures. In this instance, I was flat on my front with the lens resting on a small beanbag on the floor. You should be willing to get down and dirty with wildlife photography, so always wear clothes you don’t mind getting muddy. I’d go so far as to say if you don’t come back from a wildlife shoot with muddy knees, you’ve not been trying hard enough!
Norfolk
Well after a little break, I’m back to the blog! I’m sitting here wondering whether I release all my pictures from the weekend on you or whether I drip feed them in. Since I’m in an impatient mood today I’ve decided to compromise – I’ll subject you to some now and some later!
For those of you who don’t know, I’ve spent the last four days with a couple of friends having a whale of a time photographing all sorts of things. This was a purely photographic trip, no holiday with photography, no other half to consider – I could spend as long as I wanted shooting what I wanted when I wanted! What this meant was four days of 5:30am alarm calls and being out until the sun was gone…and then a bit longer.
While we had a plan of subjects we were aiming for (Barn Owls being the main one) I actually had more fun with the waders. And just for the practice, I did a couple of landscapes because I was asked about a technique. Contrary to popular belief among my friends, I don’t object to being asked how to do things or why I do things a certain way – I may be out with friends taking pictures, but I still love teaching and passing on knowledge! Just ask my better half – I apparently have a teacher voice I use when I’m trying to get a point across…!
We spent the four days on the Norfolk coast and I found it great to have the chance at some serious photography over an extended period of time. Our list of interesting subjects seen is really pretty good:
Marsh Harrier, Barn Owl, Kestrel, Buzzard, Avocet, Snow Bunting, Turnstone, Dunlin, Redshank, Greenshank, Teal, Ringed Plover and Hare among many others.
Before heading off, I was fortunate enough to lay my hands on a big lens – an EF800mm f/5.6 IS USM – a stellar lens that once you get used to using is capable of spectacular results. The reason I say “get used to using” is that while you may be used to a 400mm or 500mm, the step up makes things that bit different. Everything is bigger in the frame (D’uh!) but the way you handle the lens is different. You need to think about the 6meter minimum focusing distance (I think Turnstone must still be using imperial measurements; I kept telling them to be 6 meters away, they seemed to think I said 6 inches….) and the slower response time you have while swinging a bigger lens around. Switching back to a 500mm having been using the 800mm really felt like I was missing something – namely the frame filling ‘wow!’ that a long lens can provide. If I could, I’d be tempted to have one in the bag but at the price of a good small car, that’s not happening any time soon, and to be honest, I’m of the opinion that a EF400mm f/2.8L II IS USM with the new EF1.4 and EF2x Mark III Extenders is a more versatile solution – again, still the cost of a small car, not to mention not being available to buy yet.
With one of the landscape shots shown here (the huts with the sunset) it’s a combination of two techniques – light painting and HDR (and some ND grad filters too). In truth, the standard light painted image looks pretty good, but I want to experiment with HDR for landscapes so I figured it was a good one to try it out on. Sure it’s a bit different to my normal “minimal editing” approach, but I like to experiment and try new things to see if they’ll be useful for projects in the future. My view of HDR is that it has a place and can produce great images, but it has to be used with care. Images that look obviously HDR’ed are not my cup of tea.
The light-painted bit was done with three flashguns – two controlled by me and one controlled by my VAL (that’s voice activated light-stand) in this case, the VAL was aka Calum. (Thanks Calum!)
If you are interested in learning more about this kind of photography (both wildlife and landscape) and how to get these kinds of images, as well as getting to see subjects like this, drop me a line and let me know. I am looking at organising a photographic training trip to some of these locations where you’ll get time to photograph as well as help in getting great shots, all while seeing some spectacular wildlife. Send me a mail from this link and let me know, or drop a note in the comments.
Anyway, I shan’t bore you with any more drivel, instead here’s some pictures for you to look at instead – hopefully they’re more interesting than me typing!
Keep in touch
